[ her conversation with alex had her thinking, and — it's not her place, it isn't her place at all, but still. ]
Mr Lehnsherr.
Mr Lehnsherr.
It's Anderson— [ at least he's answering. ] I was wondering if you'd tell me about your history with Charles Xavier and Alex Summers.
[ she knows alex' perspective on things, or bits and pieces that have come up when he'd thought about it. ]
[ she knows alex' perspective on things, or bits and pieces that have come up when he'd thought about it. ]
We [ most emphatically ] did not.
[ she doesn't want to know about him lying in bed or elsewhere. at least he is still talking rather than having hung up immediately. ]
I'd like to know.
[ she doesn't want to know about him lying in bed or elsewhere. at least he is still talking rather than having hung up immediately. ]
I'd like to know.
Alex is my friend.
[ and in many ways, she feels protective of him. and it still isn't her place, she has no right to ask for any of this, but it's an explanation as to why she's asking anyway. ]
I'd like to hear your side of it.
[ and in many ways, she feels protective of him. and it still isn't her place, she has no right to ask for any of this, but it's an explanation as to why she's asking anyway. ]
I'd like to hear your side of it.
[ alex' words come to mind — she isn't a judge here, but everyone judges people all the time. anderson isn't different; she just doesn't act on her judgments the way she would have back in mega city one. ]
A little of both.
A little of both.
What would it take, you think, for you and Charles to put aside your differences?
[ maybe this is easier; he wasn't exactly comfortable being around a telepath. ]
[ maybe this is easier; he wasn't exactly comfortable being around a telepath. ]
Why that? [ she can't look into his head to get context for this, so she'll ask. the old-fashioned way. ]
[ he can't see the way her eyebrows lift. ]
You're talking about alcohol. [ 'shots' makes her think of weapons. ]
You're talking about alcohol. [ 'shots' makes her think of weapons. ]
Our unique universes and experiences make communication all the more important. [ disagreement, not quite a rebuke; her tone neutral but firm. ]
He is alive. [ the implication being that it can't have been a very well-aimed bullet. ]
Did you shoot him?
He is alive. [ the implication being that it can't have been a very well-aimed bullet. ]
Did you shoot him?
[ not exactly — he must know that she wants an explanation of that.
'hold' isn't hanging up, though, and so she waits. ]
'hold' isn't hanging up, though, and so she waits. ]
Yes.
[ the answer comes immediately and with barely any inflection. she recognises the sounds of flushing, thank you — but it still does not reach the levels of the mind games kay played with her. ]
[ the answer comes immediately and with barely any inflection. she recognises the sounds of flushing, thank you — but it still does not reach the levels of the mind games kay played with her. ]
[ german is not a language that anderson ever had the opportunity of learning or even hearing before, but the word is close enough to the english one that she thinks she can place it.
of course, she may be wrong. (she isn't.)
maybe she shouldn't have called but come to visit him.
she still doesn't hang up. ]
How did you 'not exactly' shoot Charles Xavier?
of course, she may be wrong. (she isn't.)
maybe she shouldn't have called but come to visit him.
she still doesn't hang up. ]
How did you 'not exactly' shoot Charles Xavier?
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